Before Gillian Flynn’s Gone Girl, the last time I was this hopelessly addicted to a book was when I read Scott Smith’s A Simple Plan. (Or was it The Ruins? Whichever one of those I read second. Anyway, I found it totally apt that Smith wrote a big juicy blurb for Gone Girl‘s book-jacket.) Flynn’s story starts out like one of those true-crime Lifetime movies, until it gets flipped over and piledriven onto the arena floor. Then just when I thought the damage had been done, this crazy monster got back up and smacked me upside the face with a barbed-wire folding chair again and again and all the while I just kept thinking Keep comin’ at me you diabolical psycho.
There are some cliches here but at least they’re acknowledged. Besides, there are so many unavoidable cliches in the Missing Wife/ Suspected Husband Story (both fiction and non-) that it’s near-impossible to subvert them all in a single book. So of course there’s a very predictable extra-marital affair. Yet for the reasonable price of a few cliches, we don’t just get all that subversion. We’re also treated to pages and pages of vicious musings on marriage, male-female relations, criminal psychology, post-recession America, and the elastic hysteria of Public Opinion. Yes, there are some cliches in that stuff too, but honestly, can we ever have too much Nancy Grace-bashing?
I’m utterly amped for the movie. It might have to be like 80% voice-over, but if anyone can work wonders with wicked voice-over, it’s David “Fight Club” Fincher. Reese Witherspoon will only be producing, not starring, and thank goodness- not because she wouldn’t be perfect in the title role, but because she’d be so obviously perfect. I’m hoping for someone who hasn’t already played this kind of character. Sure, Jessica Chastain; fine, Amy Adams. But if I had the rights to Gone Girl I’d wait about five more years and then cast Alison Brie. (Granted, I kind of wish Alison Brie was in everything.)