Archive for the ‘Advertising’ Category

2015 was a Kingdom of Bullshit. We were assaulted by a relentless barrage of bullets and bile from real-world terrorists & political hate-mongers, all while media-trolls across the spectrum stoked the blazes for revenue clicks. It all fed our frenzy so hard we became indignation wendigos, our frothy jaws devouring each other’s fury and spewing it back so forcefully we even hated those we should’ve considered comrades. South Park killed it this year with its satire of the Outrage Industrial Complex, but the most 2015 show by a hair has to be Mr. Robot. It captured the zeitgeist perfectly without ever quite snagging the zeitgeist’s attention, but something tells me (even if it’s just wishful thinking) it’ll have a much bigger cult by the time Season 2 starts in 2016. Yeah, in a lot of ways Mr. Robot is just picking up where Fight Club left off 16 years ago— but goddammit, it’s about time somebody picked up where Fight Club left off.

2014 Was a Flat Circle

2013 Was The Climb, Time After Time

2012 Was Louis C.K.’s Foolish Flailing

2011 Was Walter White’s Mad Cackle

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This here’s a paperback anthology of the first four issues of the zine I’ve been editing, but I guess it was less “editing” than it was “picking very cool pieces of literature and arranging in them in a way that would flow like a kick-ass double-album, like ‘London Calling’ or ‘The White Album.'”


There’s something in here for everyone– horror, humor, romance, sci-fi, western, crime, fairy tale, fantasy, memoir, poetry. But by “something for everyone” I don’t mean middle-of-the-road; most of these pieces are very much to the side of the road, and some are even off the road entirely, having skidded through a ditch and crashed into a tree at the edge of a dark forest. (I mean that in the best possible way.) And it’s now on sale for $18 US.

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Haven’t been posting here much lately because I’ve been busy editing the 1st issue of FLAPPERHOUSE, which is finally ready for public consumption. If you like what goes on here at Popular Fiction, there’s a good chance you’ll dig the surreal, shadowy, sensual, and satirical lit in FLAPPERHOUSE #1. You can sample some excerpts for free at flapperhouse.com, and buy the entire issue as a PDF for just $3 US.FLAPPERHOUSEwhitecover

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Remember those TV commercials from the early 1980s that were like bouncy slabs of bourgeois absurdity flecked with the occasional menacing dystopian undertones, as if the director had just finished watching Terry Gilliam’s Brazil? I think they were all produced by an agency called Ally & Gargano? There was the one with the Fast-Talking Fed Ex guy (who later became the Fast-Talking Micro Machines Guy)? And also there was “Where’s The Beef?” and maybe “Time to Make the Donuts”? A bunch of them were compiled for a Mattel party game called “Commercial Crazies,” but it was never much fun to actually play the game, it was way more fun to just watch the commercials? Well whether you remember these or not, here they all are in one magnificent YouTube playlist.

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Salvador Dalí explains how Alka-Seltzer works:

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As we’ve mentioned beforeFLAPPERHOUSE is intensely devoted to promoting the fading pastime of bathroom reading. And today we’re proud to present our first advertisement for this campaign, featuring our lovely spokesmodel, Alibi Jones.AlibiREADPoster

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Please pardon the brief commercial interruption, but Now through December 3rd if you donate at least $1 to FLAPPERHOUSE you shall receive a digital copy of the premiere issue in Spring 2014!

Here at FLAPPERHOUSE, we understand that the global economy is perched precariously on the brink of catastrophe, and as a result, most publications can’t afford to pay their writers anymore. But that doesn’t mean we want to settle for being one of those publications.

So for as long as there’s such a thing as money, we’d like to obtain some of that money from generous, beautiful people like you. We will then distribute said money among our talented writers and editors, not only to reward them for their hard work, but also to ensure that we’re able to publish our brand of wry, sexy, twisted, mischievous, poignant, brain-squishing literature for years to come.


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